• The French Family Band Brings Country Music to Smith Theater

    The French Family Band Brings Country Music to Smith Theater

    “Country music just sounds better when a family sings it,” began Headmaster Brennan in Hall on February 11. “That’s where it all began: mothers, fathers, grandparents, aunts, uncles, and cousins, all huddled together, picking and singing on a porch in the twilight. Camille and Stuie French—now settled with their family in Nashville—have been making music together for nearly 25 years, oceans away from their childhood worlds of New Zealand and Australia where they both fell in love with and mastered country music.”

    This year’s Berman Visiting Artists—joining RL’s students, faculty, and staff not only for a rousing morning performance in the Smith Theater, but also in master classes, workshops, and jam sessions throughout the afternoon—are The French Family Band, made up of singers and guitarists Camille, Stuie, and 15-year-old Sonny French. In a special mid-morning Hall, the group performed a number of songs and styles—from Johnny Cash to poignant, original songs about family and growing up, including Not Too Young and Little Years. Camille even performed a traditional song and dance from her native Maori roots, to the crowd’s delight.

    As a duo, Camille and Stuie have earned three Australian Golden Guitar Awards––the equivalent to America’s CMAs—namely, in 2013, an award for Best Alternative Country Album of the Year and, in 2017, Stuie received Best Instrumental Album honors for Axe to Swing. Two of the pair’s original songs––Gone for All Money and Pretty Katalina––were featured on the popular Australian television drama A Place to Call Home. Stuie’s skill led to high-profile sideman gigs with Australia’s top touring artists, and to touring and jamming with his idol Merle Haggard on his Australian tour as a member of the opening band. And Nashville noticed. The Grammy-winning Time Jumpers invited Stuie and Camille to sit in on the group’s 3rd & Lindsley residency.

    The group not only performs impressive renditions of others’ songs, but they have met much acclaim by writing their own. Camille and Stuie are parents to three children, and their high school son, Sonny, has been the musical force that transformed a successful duo into The French Family Band. Sonny began singing at age three, and even then he could sing on pitch, his mother recalls. By the time he was six or seven, he was singing harmony. Since then, Sonny has picked up the guitar as well, inspired by some of his favorite country artists Merle Haggard, Buck Owens, George Jones, and Glen Campbell. The industry has taken note: USA Gibson Guitars invited Sonny to be part of an international mix of promising young musicians dubbed the Gibson Generation Group.

    On stage at RL, Camille, Stuie, and Sonny were joined by drummer Gregg Stocki and bassist Joe Reed who, between them, have played with international music stars from Willie Nelson to Keb Mo, Sheryl Crow to Johnny Cash, Beck to Merle Haggard.

    In 2005, Ethan Berman ’79 and his wife, Fiona Hollands, established—in honor of Ethan’s mother—the Claire Berman Artist in Residence Fund. This endowed fund brings to the school annually a distinguished figure or figures in the arts. Since 2006, the school has been honored to welcome actors—such as Christopher Lloyd in Death of a Salesman, Tovah Feldshuh, and the troupe of The American Shakespeare Center; as well as poet laureate Billy Collins; jazz artist John Pizzarelli; the rock-and-roll performers of Beatlemania Now; singer/songwriter Livingston Taylor; and renowned jazz singer Jane Monheit. We were lucky to have with us in Hall both Claire Berman and her daughter, Eve.

  • Holiday Concerts, to Begin the Winter Break

    Holiday Concerts, to Begin the Winter Break

    In Roxbury Latin tradition, on the day following mid-year exams—and just before the students and faculty leave campus for a well-deserved winter break—a full third of the student body assembles to deliver a festive and joyful holiday concert, honoring the celebrations and spirit of the season. This tradition—like many—was interrupted in December 2020, and we were delighted to have Rousmaniere Hall filled once again with family and friends who, though masked, joined in a happy evening of song to commence the vacation and close the year 2021.

    Members of the Glee Club, the Latonics, and the Junior Chorus—along with help from several musical faculty members and friends—regaled an audience at 4:30 p.m. and again at 7:30 p.m. on Friday, December 17.

    Roxbury Latin Glee Club
    Veni, veni, Emmanuel                                Traditional Advent Hymn

    Exsultate Justi                                         Lodovico Grossi da Viadana
    arr. Ruggero Vené

    River in Judea                                                               Jack Feldman
    Heshie Liebowitz, piano                                          arr. John Leavitt

    Light One Candle                                                         Peter Yarrow
    Eli Bailit & David Sullivan, solos                     arr. Robert DeCormier
    Andrés Wilson, guitar; Michael Allen, bass           & Kerry P. Brennan
    Heshie Liebowitz, piano                                                                    

    Do You Hear What I Hear?                                         Gloria Shayne
    Peter Hyde & Ryan Miller, trumpet                       arr. Harry Simeone
    Theo Teng, piano                                                                             

    Roxbury Latin Latonics
    Ave Maria (Angelus Domini)                                           Franz Biebl
    Liam Finn, Ale Philippides, & Eric Zhu, trio

    Ma’oz Tzur                                             Traditional Hanukkah Hymn
    arr. Heshie Liebowitz

    The Minstrel Boy                                                       Irish Folk Song
    Will Grossman, solo                                         arr. Jameson Marvin 

    Roxbury Latin Junior Chorus
    Let It Snow! Let It Snow! Let It Snow!                          Jule Styne
    Dylan Massard, piano                                         arr. Carl Strommen
    It’s the End of the World as We Know It (And I Feel Fine)    R.E.M.
    Tom Pogorelec, solo                                             arr. Rob Opdycke
    Love Runs Out                                                              OneRepublic
    Dylan Pan, Simba Makura, & Fin Reichard, solos     arr. Rob Opdycke
    Roxbury Latin Latonics
    Please Come Home for Christmas                                   The Eagles
    Tommy Reichard, solo                                          arr. Rob Opdycke
    Amie                                                                    Pure Prairie League
    Brendan Reichard, solo                                         arr. Rob Opdycke
    Forget You                                                                   CeeLo Green
    Ale Philippides, solo                   arr. Cory Ryan & Sandy Fleming ’07

    Roxbury Latin Glee Club
    Vive L’Amour                                                                   Traditional
    arr. Alice Parker & Robert Shaw

    Ride the Chariot                                                  Traditional Spiritual
    Tommy Reichard, solo                               arr. William Henry Smith

    The Holiday Season                                                  Kay Thompson
    arr. Mark Hayes

    Battle Hymn of the Republic                                       William Steffe
    Peter Hyde, trumpet                                       arr. Peter J. Wilhousky
    Justin Yamaguchi, piano

    The Founder’s Song                                       James Shelley Hamilton
    Mathias Why, organ
    Joined by the Junior Chorus & Roxbury Latin Alumni

  • Julian Patterson ’06 and Kaleb Rollins ’06 Discuss Music and Media, Podcast-Style

    Julian Patterson ’06 and Kaleb Rollins ’06 Discuss Music and Media, Podcast-Style

    On November 30, in the Smith Theater, students and faculty were joined in Hall by two alumni from the Class of 2006—Julian Patterson and Kaleb Rollins—who work today at the intersections of music and culture, sports and fashion, hip hop and media.

    “Popular culture—as many of us in this room can attest—evolves over time, and in many ways it marks each generation, evidenced in music and film, sports and art, fashion and commercial trends,” began Headmaster Brennan. “Increasingly the focus of academic interest, popular culture influences the ways in which each of us experiences the world, most especially, perhaps, when we’re young.” As part of their research, students analyzed regulatory debates around online casino North Carolina topics to understand how digital entertainment reshapes social practices, before shifting the discussion back to their own stories. In a podcast-style interview of one another, Julian and Kaleb—classmates and friends—spoke at length about their paths to their respective careers (beginning as Sixies at RL!), what they love about their work, and why it’s important.

    Julian Patterson is a content executive at Bleacher Report, the number one sports publisher across all social media platforms with more than 125 million followers. From Bleacher Report’s website: “Through creative expression, Bleacher Report delivers visceral, authentic moments at the intersection of sports and culture.” During his tenure at Bleacher Report, Julian has been recognized for leading award-winning teams, spearheading social innovation, and co-founding the largest employee resource group in the history of the company. Julian earned his bachelor’s degree from Colby College, where he was involved in various culture clubs and service organizations.

    Kaleb “KQuick” Rollins is a multi-platinum Grammy-nominated songwriter, producer, and mixing engineer. Kaleb brought his passion for music to New York University’s Clive Davis Institute Of Recorded Music, where he honed his skills as a producer, mixing engineer, and songwriter. Since graduating from NYU in 2010, Kaleb has worked with artists including Chris Brown, J Cole, Alessia Cara, and Summer Walker. He has also written and produced songs for numerous film and television projects, including scoring a Sundance Film Festival short film selection. Kaleb has played a role in multiple Billboard #1 projects, two Grammy-nominated albums, and has won two JUNO Awards for his work.

    During the course of their conversation, they covered wide-ranging topics, both personal and professional. They underscored the importance of their lasting Roxbury Latin and college relationships; the willingness to pursue your passions, despite obstacles; the value of creating not just when inspired, but as a daily habit; the power of music and media; and the role of their mentors and inspirations—from their parents to fashion designer Virgil Abloh to music producer Ryan Leslie.

    Just prior to the student Q&A that followed their conversation, Julian concluded “I just think that not everyone is supposed to be a doctor, lawyer, accountant, engineer. Someone has to be the platinum rap producer. Someone has to be the media executive that runs the programming for the television or the social media that you watch all day. So whilst those jobs are available, why not us?”

    Hear the entirety of Julian and Kaleb’s Hall conversation—as well as their responses to students’ questions—here.

  • Grammy Award-Winning Adam Granduciel ’97 on Fatherhood and Making Music

    Grammy Award-Winning Adam Granduciel ’97 on Fatherhood and Making Music

    Alumnus Adam Granduciel ’97—frontman of the Grammy Award-winning rock band The War on Drugs—discusses fatherhood, his band’s new album “I Don’t Live Here Anymore,” and their upcoming show at Madison Square Garden in a recent New York Times article titled “The War on Drugs Can’t Stop Searching for Answers in the Music.”

    “For all his achievements, Granduciel remains far more motivated by his craft than by external validation,” New York Times writer Olivia Horn writes. “A notoriously obsessive creative, he’s keener to tinker in the privacy of the studio than to bask in the spotlight. And lately, he’s been preoccupied by something even more important than music-making: his 2-year-old son, Bruce.”

    In the article Adam references his relationship with his father, RL alumnus Mark Granofsky ’51, and how that relationship has shaped him, both in his approach to his work and as a father to his young son.

    The War on Drugs will be headlining at Madison Square Garden on January 29, and tickets are available through the venue’s website.

  • Live Music on Campus Again, At Last!

    Live Music on Campus Again, At Last!

    This week marked a momentous occasion for this singing school: On Thursday, May 20, Roxbury Latin hosted its first live musical performance in 14 months. On a beautiful, sunny evening, outside in the Smith Arts Center Courtyard, guests sat—spread out, in chairs on the lawn—and enjoyed performances by students in Class VI through Class I, instrumentalists and singers, performing a range of music that they’ve been practicing, in person and via Zoom, throughout this pandemic year.

    View the entirety of this spring’s outdoor concert, and read the complete program below.

    Chamber Ensembles
    Howard Frazin, director

    Piano Trio in F Major, Op. 39, No. 1

    1. Allegro con brio

    Julius Klengel (1859-1933)

       Max Kesselheim, violin                                                                    

       Kenneth Foster, cello

       Dennis Jin, piano

    Recorder Sonata in F Minor                      

    1. Allegro

    Georg Philipp Telemann (1681-1767)

       Marc Albrechtskirchinger, recorder

       Simon Albrechtskirchinger, guitar

    Violin Sonata in E Minor, BWV 1023             

    1. Gigue                

    Johann Sebastian Bach (1685-1750)

       Liam Finn, violin

       Michael Allen, double bass

       Darian Estrada, piano

    Piano Quartet No. 3 in C Minor, Op. 60                

       III. Andante

    Johannes Brahms (1833-1897)

       Justin Yamaguchi, violin

       Eli Mamuya, viola

       Justin Shaw, cello

       Theo Teng, piano

    Horn Trio in E-flat Major, Op. 40

    1. Allegro con brio

    Brahms

       Daniel Berk, horn

       Alex Yin, violin

       Heshie Liebowitz, piano

     

    Latonics
    Rob Opdycke, director

    Eric Auguste, Eli Bailit, Daniel Berk, Ben Brasher, Ben Chang-Holt,

    Ryan Frigerio, Aydan Gedeon-Hope, Heshie Liebowitz, Ryan Lim,

    Sam Morris-Kliment, Emmanuel Nwodo, Ethan Phan, Ale Philippides,

    Tommy Reichard, Theo Teng

    Loch Lomond

    Traditional Scottish Air

    arr. Ralph Vaughan Williams (1872-1958)

    Daniel Berk, tenor

    Lighthouse

    Ernie Halter (b. 1974)

    arr. Sandy Fleming ’07 (b. 1988) & Rob Opdycke (b. 1976)

    Ben Chang-Holt, Emmanuel Nwodo,   

    Ale Philippides, solos
     

    Guitar Ensemble
    Dr. Andrés Amitai Wilson, director

    Vishnu Emani, Tait Oberg, Nick Raciti, guitar

    Jack McCarthy, bass; Joseph Wang, drums

    Superstition

    Stevie Wonder (b. 1950)

    Original arrangement by the group

     

    Jazz Combo
    David Leach ’09, director

    Quinn Donovan, trumpet; Tommy Reichard, alto & tenor sax

    Ben Chang-Holt, piano; Ale Philippides, guitar

    Anton Rabkin, bass; Joseph Wang, drums

    Lonnie’s Lament

    John Coltrane (1926-1967)

    Darwin Derby

    Vulfpeck

    arr. D. Leach (b. 1990)

  • Pianist Andrew Gu (V) Selected for From the Top

    Pianist Andrew Gu (V) Selected for From the Top

    Andrew Gu of Class V was recently selected and recorded for NPR’s nationally-renowned From The Top program—a premier music radio show, which celebrates the stories and talents of classically-trained young musicians. The episode featuring Andrew’s performance—Show 393, with host Peter Dugan—aired nationally during the week of December 14. Andrew performed Beethoven’s Sonata No. 7 in D Major; he was the youngest of the five teenage musicians featured on the episode, which also included saxophonists and violinists—hailing from Chicago, Illinois to Underhill, Vermont—and performances of pieces by Stravinsky and Reena Esmail. Listen to and view Andrew’s performance—as well as the rest of the episode—here.

    Andrew, who has earned other accolades and honors for his skills as a pianist, started piano lessons with his mother, Helen Jung, and continued his studies with Alexander Korsantia and Hitomi Koyama. Andrew made his orchestral debut at age eight, performing Haydn’s Keyboard Concerto in D major at the Music Fest Perugia, Sala dei Notari, Italy in 2015.           

    Several Roxbury Latin student-musicians have been featured performers on From the Top over the years. From the Top is a national, non-profit organization that supports, develops, and shares young people’s artistic voices and stories, providing young musicians with performance opportunities in premier concert venues across the country; national exposure to over a half million listeners on its weekly NPR show; and more than $3 million in scholarships since 2005.

  • Chamber Trio Earns First Place in International Competition

    Chamber Trio Earns First Place in International Competition

    The chamber trio of Daniel Berk (I), Heshie Liebowitz (II), and Alex Yin (II) entered this year’s international Great Composers Competition having never played together as a trio before. Yet this summer—looking for opportunities to make music with others, safely—the three boys wanted to fill the musical gap they were feeling on the heels of the spring’s quarantine. Initially, their plan was simply to play together, but when the opportunity arose to participate in the online competition, they took it.

    The Great Composers Competition is a series of international music competitions for young performers organized in categories—for instrumentalists (piano, strings, winds, percussion), singers (opera, sacred music, art song, musical theatre), and chamber groups.

    Daniel (French horn) plays with Alex (violin) outside of school, and Heshie (piano) had performed with Alex before; each admired the others’ musical skills. Though repertoire that involves the horn is limited, they selected Brahms’s Horn Trio, Op. 40. When they were pleased with how well the piece turned out, Heshie took the initiative of submitting the recording on the group’s behalf.

    Knowing they needed large spaces in which to practice and perform while maintaining a safe distance, the boys were lucky to secure rehearsal space first in an auditorium on the Brandeis campus, and second, at a new Steinway piano retailer showroom in Newton, prior to the store’s official opening.

    “This was my first time playing in a chamber trio,” says Daniel. “As Alex says, there’s not much to play for horns, but this piece is a hallmark of the repertoire, and it put me in the hot seat. I wasn’t used to minimal rehearsal—we only had two rehearsals before we recorded—so that was a new experience, just getting the music and rehearsing on our own. We put it all together more quickly than any of us would have liked, but we were really pleased with how it came out.”

    All three boys have been playing their instruments since they were very young—Heshie playing piano since before he can even remember. “When it comes to chamber music, what I enjoy most is playing with other people,” he says. “It’s fun to play with your friends, first of all, but it’s also rewarding because you get to explore with different sounds that you can’t make by yourself on your own instrument.”

    “One thing I love about violin is the flexibility of the instrument,” says Alex. “You have so many options available to you. For instance, I can play solo music, I can play chamber music, or I can play in an orchestra.”

    “Horn and brass are pretty different from other musical families, because they rely a lot less on finger technique and a lot more on trusting yourself and taking leaps of faith,” adds Daniel. “It feels like more of a mental game than a physical one. So when I play with instruments that demand a lot more technical skill—like piano and violin—it’s awesome to help produce that contrast of the long tone of the horn—which is not extremely complicated—with the sounds of the piano and the violin, which are just going a mile a minute, lightning fast. That combination of sounds is just a beautiful thing to help create.”

    Now that the boys know what they can create together as a chamber trio, they hope to play together more in the future. The Brahms piece they performed has four movements, and the boys played the middle two. “The most iconic parts are actually movements one and four,” says Daniel, “and we were hoping to save them for when we can play in person together, and perform in person—hopefully on the Roxbury Latin stage!—as well.”

    Watch the boys’ prize-winning performance, in full.

  • Jonathan Weiss ’20 Wins ASCAP Young Composers Award

    Jonathan Weiss ’20 Wins ASCAP Young Composers Award

    This spring, Jonathan Weiss ’20 was awarded the American Society of Composers, Authors, and Publishers (ASCAP) Young Composers award. The annual competition is open to composers of original, classical concert music, encouraging developing music creators to get their work out into the world.

    Jonathan was seven when he was given a toy keyboard for Christmas and picked out “Ode to Joy” by ear. He has been composing ever since. Now, his music is rooted in literature, art, and history. For the last five years, Jonathan has been submitting work to the ASCAP Young Composers competition at the encouragement of his composition teacher at the New England Conservatory, Rodney Lister; his Roxbury Latin composition teacher, Howard Frazin; and Roxbury Latin’s Director of Music, Rob Opdycke. Jonathan has been named a finalist a number of times, but this marks the first year he has been named among ASCAP’s 20 winning composers between the ages of 10 and 30.

    Jonathan’s winning piece, titled “The Strongest Tree Bends in the Wind, was written last year in collaboration with the musical duo David Leach (RL Class of 2009) and Julia Connor, who together make up Room to Spare. Originally, Jonathan wrote the piece for a Hall presentation delivered from the Rousmaniere stage. Collaborating with other composers was new for Jonathan, and he had a great time working with Julia, a classical violinist, and David, a jazz musician and composer. All of their feedback on Jonathan’s piece, he said, “was perfect.” 

    Next year, Jonathan is heading off to Yale, where his dream is to be in touch with Martin Bresnick, faculty composer at Yale School of Music, to study composition. He promises to continue to “pump out pieces” to send to ASCAP. For now, he feels honored to have received this award, which will allow him to become a member of ASCAP and publish his work.

  • Latonics Release Newest Album: Lose Yourself Again

    Latonics Release Newest Album: Lose Yourself Again

    On May 21, Roxbury Latin’s Latonics released their eleventh album since 1997—this one titled Lose Yourself Again. The tracks (a total of 12) are now available on most digital platforms, including iTunes, Amazon Music, Google Play, Spotify, and Pandora. The recordings feature vocals from members of the Class of 2017 through the Class of 2021. Mr. Rob Opdycke, RL’s Director of Music, was the album’s recording engineer, and the tracks were produced—edited and mixed—by Plaid Productions. Erik Zou ’19 created the cover art for the album, the title of which is drawn from a lyric in the second track, “Jump Right In” by Zac Brown Band.

    The complete track list includes:

    Animal (Neon Trees) arr. Eric Chung – Nick Chehwan ’20, solo
    Jump Right In (Zac Brown Band) arr. Jack Golden ’18 – Ben Lawlor ’18, solo
    Sing to You (John Splithoff) arr. RCO – Nick Chehwan, solo
    The Real (Busty and the Bass) arr. RCO – Xander Boyd ’17, solo
    Good Grief (Bastille) arr. RCO – Reis White ’18, solo
    Brand New (Ben Rector) arr. Jack Golden – Ben Lawlor, solo
    All on Me (Devin Dawson) arr. Christian Landry ’20 – David Ma ’18, solo
    Love Me Now (John Legend) arr. Ryan Chipman ’12 – Nick Chehwan, solo
    Cleopatra (The Lumineers) arr. Ben Lawlor – Ben Lawlor, solo
    Leave the Night On (Sam Hunt) arr. T.J. Silva ’17 – Xander Boyd, solo
    Valerie (The Zutons) arr. Similar Jones – Ian Kelly ’17, solo
    Imagine (John Lennon) arr. Pentatonix – Andrew White ’18, Reis White, Kalyan Palepu ’19, and Nick Chehwan, solos

    Every year, members of the Latonics vote on which songs to include, and about six tracks per year are chosen. Each vocalist records his part one at a time, listening to a MIDI export of the arrangement in his headphones. Backstage-left of the Smith Theater has served as the group’s recording studio for the past decade, since Mr. Opdycke took over recording engineer duties!

    Lose Yourself Again is the first Latonics album to be released on all the major digital platforms. Past Latonics albums are currently available as CDs only, but the most recent of them will also be available on digital and streaming platforms in the coming months.

  • Senior Chris Zhu Earns First Place in American Prize for Piano Solo

    Senior Chris Zhu Earns First Place in American Prize for Piano Solo

    Chris Zhu of Class I was recently named the first-prize recipient in the nonprofit American Prize competition in the performing arts, at the high school level, for his piano solo submission. Chris began studying piano at age five and entered his first competition at age eight. He has performed at various high-profile venues—including Carnegie Hall and Steinway Hall in New York, and Symphony Hall in Boston—and has received numerous awards for his piano performances, including a second place in the Bradshaw and Buono International Piano Competition; four first-prize awards in the Massachusetts Music Teachers Association Bay State Contest; two prizes at the Steinway Society of Massachusetts Piano Competition; one first-prize award in the senior division of the University of Rhode Island piano extravaganza; and a second-place award in the intermediate group of American Protege International Piano and String Competition. An accomplished violinist, Chris has also received the top prize from the Roman Totenberg Young Strings Competition and has played First Violin for orchestras at New England Conservatory Prep School and Boston Youth Symphony.

    Chris’s journey reflects the remarkable dedication and discipline that shape a young musician’s path, especially in the world of competitive piano. From his early start at five years old to performing on some of the most revered stages, every accolade he has earned speaks to countless hours of practice, resilience, and an unshakable passion for the instrument. His achievements show how a deep connection to music not only refines technical skill but also builds character, confidence, and a profound artistic voice. For musicians like Chris, the piano is more than an instrument; it becomes a companion that grows with them through every performance, competition, and milestone. As musicians continue to progress, the importance of caring for their instrument becomes just as meaningful as developing their craft, especially when transporting a piano safely to recitals, rehearsals, or new spaces. This is when practical considerations begin to surface, and exploring resources such as https://pianomoversoftexas.com/ can make the responsibilities of ownership feel far more manageable. Ensuring a piano is moved with precision and respect preserves its tone, structure, and longevity, allowing performers to focus entirely on their artistry. By safeguarding the instrument that supports every note and nuance, musicians create the foundation they need to perform confidently, continue growing, and honor the very tool that helps them share their gift with the world.

    After years of disciplined practice and performance, a piano carries subtle nuances shaped by touch, environment, and time, meaning even a small misstep during transport can affect its sound or structure. Moving such an instrument is not simply about logistics but about preserving the emotional and artistic investment it represents. Specialized equipment, from padded boards and custom dollies to climate-conscious handling techniques, ensures that pianos of every size and type remain stable and secure through each stage of a move, whether relocating for a performance, a new home, or a long-term space for growth. This level of precision becomes especially important as musicians expand their journeys, balancing creative ambition with practical responsibility. Accessing experienced professionals who understand the mechanics and fragility of pianos allows artists to focus on expression rather than risk. Resources like https://pianospecialistsofarkansas.com/piano-movers-fayetteville-ar/ highlight how dedicated piano movers approach each instrument with respect, preparation, and purpose. By combining specialized tools with deep knowledge of piano construction, they help ensure that every key, string, and frame arrives intact, ready to support the next chapter of music-making with the same clarity and character that inspired the musician from the start.

    The American Prize was founded in 2009 and is awarded annually. Unique in scope and structure, the prize is designed to evaluate, recognize, and reward the best performers, ensembles, and composers in the United States based on submitted recordings. The American Prize has attracted thousands of qualified contestants from all fifty states since its founding; has awarded nearly $100,000 in prizes in all categories since 2010; and is presented in many areas of the performing arts. The competitions of The American Prize are open to all U.S. citizens, whether living in this country or abroad, and to others currently living, working, or studying in the U.S. It is the nation’s most comprehensive series of contests in the classical arts. The contest is administered by Hat City Music Theater, Inc., a nonprofit organization based in Danbury, Connecticut.